Simon Forrest
Chief Executive
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Simon, a founder of Accorder, is a highly experienced media executive working at the highest level within a number of organisations. At Accorder, he is focussed on UK and global new business development. His extensive network of contacts and ability to forge new relationships has helped build Accorder’s formidable client base.

Simon started his career as a news and current affairs journalist, working at STV and ITN and then as News Editor of Channel Four News. He was a Senior Vice President at HIT Entertainment (Bob the Builder, Thomas & Friends and Pingu) overseeing their non-North American activities, and previously Commercial Director of The HTV Group. Simon founded Impact Consultancy, a media sector financial corporate communications agency advising a wide range of media companies including Carlton TV, VTR, HIT Entertainment, First Independent Films and Bloomsbury Publishing.

Creating content has been a big part of Simon’s past, with original programming including The Top Ten of Everything (ITV Kids) and The John Stonehouse Affair (ITV drama). Simon is a member of BAFTA and the Royal Television Society, as well as former Director of the Edinburgh International Film Festival.

Anne Miller
Managing Director
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Anne, one of the founders of Accorder Music, is a highly experienced film & TV music publisher and music supervisor.

Her team work with producers and developers from the earliest stages: creating music briefs, liaising with composers, helping on contractual matters and ensuring accurate royalty collection. She also works closely with Accorder’s composers, supporting both emerging and established talent ensuring they are maximising their credit opportunities and music royalties.

After running her own music publishing businesses in the mid 1990s (representing some of the best UK TV & film composers), Anne launched the UK and European film & TV division of J Albert & Sons (a subsidiary of the oldest independent music publisher in Australasia: AC/DC, Easy Beats, and Strictly Ballroom). Anne is now actively involved in shaping television and film music policy, sitting on various industry committees; including on the board of the Music Publishers’ Association, Co-Chair of the PRS’s Operational Group, a member of its Commercial Advisory Group, and Pop Publishers’ Committee and the industry-wide organisation Women in TV & Film.  Anne’s recent creative work includes as music supervisor for Michael McIntyre’s BBC shows, Alan Carr’s Happy Hour and All Round to Mrs Brown and various independent film.

Simone Walsh
Head of Sync
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Simone is hugely creative and loves the synergy between music and picture. Her role at Accorder is to connect the perfect music to various types of media.

With a life-long passion for visual media, Simone thrives on bringing the best music to the producers we work with. She works closely with our exceptional composers and songwriters to ensure pitches are perfectly honed and have the spark that makes a project come alive.

Simone is committed to supporting new talent in music. She’s always looking for new and fresh sounds, and works as a music supervisor to deliver exciting music to producers. She uses her specialist knowledge of film and television music to develop and commission writers within our production music catalogue – Accorder Tracks.

She has a vast knowledge of music, having studied classical music at Guildhall and Cambridge University, before transitioning into a career as a jazz musician. She continues to perform and her jazz violin solo can be heard in the Stephen Hawkin biopic The Theory Of Everything.

Frankie Videtta
Head of A&R, Copyright Manager
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Frankie is the Head of A&R and Copyright Manager at Accorder Music. He is responsible for signing new music, and helping young artists into the industry.

Frankie is key in the acquisition of music for the Accorder sync catalogue, as well as wrangling the vast amount of data and information flowing into the company from producers, composers, broadcasters, collection societies and more. He’s committed to helping developing artists flourish in the film and TV industry by working alongside some of the countries most promising talent. Frankie also spends a lot of time ensuring Accorder’s catalogue is registered and administrated correctly.

His previous experience in the music industry has been varied, and includes roles such as stage crew at the Auditorium Parco della Musica in Rome, working in the sound department for RAI and SKY, and as an A&R scout for a division of Sony Music. Frankie keeps an open-mind in his musical preferences and his tastes vary – he can be caught listening to almost everything, but his favourites often include alternative/classic rock and chilled hip hop.

Paul Tracey
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Paul is a barrister, and his responsibilities at Accorder Music include dealing with legal, financial and corporate matters.

He worked at County Bank, the merchant banking arm of the NatWest Group, where he arranged tax-based financing on high budget feature films. He left to launch The AV Department, producing and recording soundtracks and music for TV commercials and programmes.

He sold the AV Department to VTR plc (now Prime Focus London plc), one of the UK’s leading media services companies, of which he later became Chief Executive. He has been on the boards of a number of quoted and private companies, and now advises businesses in the media sector on growth and development strategies, mergers and acquisitions.

Elizabeth McCrorie-Shand
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Elizabeth is Accorder’s key researcher, providing essential intelligence about productions, composer and publishing opportunities. She also acts as PA to Accorder Managing Director Anne Miller.

Elizabeth trained at London’s Central Film School before working at cinema camera and lens specialist Movietech, based at Pinewood Studios. Her production experience includes working on the production side of the James Bond film, Spectre, with additional experience from cinema camera and grip houses Panavision and Arri Rental.

Helen Dickson (IMDb)  
Sound Editor  
helen.sounded (at)

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Helen is an experienced freelance sound editor who is responsible for international replacement work for Accorder Music. She has worked on big projects including Doctor Who, Being Human, and Waterloo Road.

Helen started her career as a teenage studio assistant in a music recording studio in Leeds. She moved on to work at Yorkshire television in 1999 and has been working in film and tv drama ever since, building up a wide range of impressive credits.

Helen became freelance in 2009 and is primarily a sound effects editor / designer, although she has a wealth of experience working on dialogue and foley. She enjoys the way music and sound fx can complement each other and enjoys going to watch films as much as she does working on them. Her musical tastes are varied. You can find out more about Helen and what she does on her website. For all enquiries and bookings, please get in touch via the email address above.